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Considered by many scholars the finest extant Mexican codex and one of the most important original sources for the study of pre-Columbian religion, the Codex Borgia is a work of profound beauty, filled with strange and evocative images related to calendrical, cosmological, ritual, and divinatory matters. Generally similar to such Mixtec manuscripts as the Codex Nuttall, the Codex Borgia is thought to have its origin (ca. A.D. 1400) in the southern central highlands of Mexico, perhaps in Puebla or Oaxaca. It is most probably a religious document that once belonged to a temple or sacred shrine.
One use of the Codex many have been to divine the future, for it includes ritual 260 day calendars, material on aspects of the planet Venus, and a sort of numerological prognostic of the lives of wedded couples. Another section concerns various regions of the world and the supernatural characters and attributes of those regions. Also described are the characteristics of a number of deities, while still other passages relate to installation ceremonies of rulers in pre-Columbian kingdoms.
Until the publication of this Dover edition, the Codex Borgia has been largely inaccessible to the general public. The priceless original is in the Vatican Library and previous photographic facsimiles are very rare or very expensive or both. Moreover, the original Codex has been damaged over the centuries, resulting in the obscuration and loss of many images. In order to recapture the beauty and grandeur of the original, Gisele Diaz and Alan Rodgers have painstakingly restored the Codex by hand— a seven-year project — employing the most scrupulous research and restoration techniques. The result is 76 large full-color plates of vibrant, striking depictions of gods, kings, warriors, mythical creatures, and mysterious abstract designs — a vivid panorama that offers profound insights into pre-Columbian Mexican myth and ritual. Now students, anthropologists, lovers of fine art and rare books — anyone interested in the art and culture of ancient Mexico — can study the Codex Borgia in this inexpensive, accurate, well-made edition. An informative introduction by noted anthropologist Bruce E. Byland places the Codex in its historical context and helps elucidate its meaning and significance.
- Sales Rank: #127533 in Books
- Published on: 1993-06-22
- Released on: 1993-06-22
- Original language: English
- Number of items: 1
- Dimensions: 10.90" h x .30" w x 8.20" l, .90 pounds
- Binding: Paperback
- 112 pages
From the Back Cover
Considered by many scholars the finest extant Mexican codex and one of the most important original sources for the study of pre-Columbian religion, the Codex Borgia is a work of profound beauty, filled with strange and evocative images related to calendrical, cosmological, ritual, and divinatory matters. Generally similar to such Mixtec manuscripts as the Codex Nuttall, the Codex Borgia is thought to have its origin (ca. A.D. 1400) in the southern central highlands of Mexico, perhaps in Puebla or Oaxaca. It is most probably a religious document that once belonged to a temple or sacred shrine.
One use of the Codex many have been to divine the future, for it includes ritual 260 day calendars, material on aspects of the planet Venus, and a sort of numerological prognostic of the lives of wedded couples. Another section concerns various regions of the world and the supernatural characters and attributes of those regions. Also described are the characteristics of a number of deities, while still other passages relate to installation ceremonies of rulers in pre-Columbian kingdoms.
Until the publication of this Dover edition, the Codex Borgia has been largely inaccessible to the general public. The priceless original is in the Vatican Library and previous photographic facsimiles are very rare or very expensive or both. Moreover, the original Codex has been damaged over the centuries, resulting in the obscuration and loss of many images. In order to recapture the beauty and grandeur of the original, Gisele Diaz and Alan Rodgers have painstakingly restored the Codex by hand—a seven-year project—employing the most scrupulous research and restoration techniques. The result is 76 large full-color plates of vibrant, striking depictions of gods, kings, warriors, mythical creatures, and mysterious abstract designs—a vivid panorama that offers profound insights into pre-Columbian Mexican myth and ritual. Now students, anthropologists, lovers of fine art and rare books— anyone interested in the art and culture of ancient Mexico—can study the Codex Borgia in this inexpensive, accurate, well-made edition. An informative introduction by noted anthropologist Bruce E. Byland places the Codex in its historical context and helps elucidate its meaning and significance.
About the Author
Rodgers has won a Stoker Award.
Most helpful customer reviews
32 of 33 people found the following review helpful.
Great cheap version of the Borgia Codex
By humblebumble
Be warned that you must compare the images from this reproduction to the original, for three reasons: 1) sometimes the authors of this reproduction use colors that do not match the original codex, 2) sometimes the authors of this reproduction place the wrong imagery in the reproduction, for example a monkey's head instead of a humans head, and 3)Sometimes the authors speculate as to what might have been on a page and they use their own judgment, which might be wrong.
Other than that, this is a great reproduction of the Borgia codex. It is cheap, it is light and it is well made. Another thing to keep in mind, the codex borgia is read left to right, this reproduction was printed right to left, so it forces you to read the codex in the wrong direction.
Look at the "plate number" and the page number in the book, they do not match. Also notice that the plate number is in descending order.
0 of 0 people found the following review helpful.
Five Stars
By Dorothy Bartosch
excellent service and book thanks
6 of 6 people found the following review helpful.
The Other 5 Star Reviews are Right
By RJS
I will not go over their 5 star comments except to say that I agree. The amazingly colourful and crisp art in this short book is rivetting. As much as one may credit the reknowned author, deep congratulations should also go to the publisher for a masterful print job.
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