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The Nature of Art: An Anthology, by Thomas E. Wartenberg
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What is art? THE NATURE OF ART: AN ANTHOLOGY explores that question and shows you how it has been answered over the years by both Western and non-Western thinkers. You will not only read selections from these great writers but you will also get study questions that draw your attention to the key points you just read. Hailed by reviewers and adopters for its clarity and rigor, Wartenberg's THE NATURE OF ART offers a lively and engaging introduction to the philosophy of art.
- Sales Rank: #245907 in Books
- Brand: Brand: Cengage Learning
- Published on: 2011-01-21
- Original language: English
- Number of items: 1
- Dimensions: 9.00" h x 6.50" w x .50" l, 1.01 pounds
- Binding: Paperback
- 368 pages
- Used Book in Good Condition
Review
"Thomas Wartenberg's THE NATURE OF ART is easily the most student-friendly introduction to the philosophy of art available today." -- Dwayne A. Tunstall, Grand Valley State University
"The best available short anthology of historically and conceptually diverse approaches to aesthetics." -- David K. Johnson, Massachusetts College of Liberal Arts
"A good, well-selected and well-edited collection of what needs-to-be-known by anyone studying the philosophy or history of art." -- Charles W. Harvey, University of Central Arkansas
"Very accessible and surprisingly comprehensive." -- John Gibson, University of Louisville
"Wartenberg's volume is a fantastic resource that covers the broad range of views that define philosophy of art. It is an excellent text for any introductory course that plans to cover both analytic and continental philosophy of art." -- William Seeley, Bates College
About the Author
Thomas E. Wartenberg is a professor of philosophy at Mount Holyoke College, where he also teaches in the film studies program. He has published eleven books and anthologies including THINKING ON SCREEN: FILM AS PHILOSOPHY (Routledge), EXISTENTIALISM: A BEGINNER'S GUIDE (Oneworld), and BIG IDEAS FOR LITTLE KIDS: TEACHING PHILOSOPHY THROUGH CHILDREN'S LITERATURE (Rowman and Littlefield). He is the film editor for PHILOSOPHY NOW. He has had a National Endowment for the Humanities Fellowship, a Senior Fulbright Research Fellowship, and a Leverhulme Trust Lectureship.
Most helpful customer reviews
10 of 11 people found the following review helpful.
Great Breadth but Not Much Depth
By T. Anderson
Among the many anthologies of primary writings on the philosoohy of art, this text has one of the better ranges, as it covers many of the important and influential writers (and in the interest of variety, I suppose, some of the not-so-important writers) one would want to read on the subject.
The primary flaw of this text (aside from its ridiculously high retail price, currently about $90.00) is that depth is sacrificed (sometimes ridiculously) for breadth. The book devotes between 9-14 pages per author. Plato, for instance, gets only 11 pages despite the fact that he is clearly the single most influential writer on the subject. And of those 11 pages, Wartenberg includes only a small selection of the Republic devoted to the idea of art as imitation. If you relied on this text alone, you'd never know that Plato also pioneered the possibility of understanding art on the basis of its beauty, wrote about art censorship, constructed the template for Kant's notion of artistic genius, or a host of other things. By contrast, Kwame Appiah's post-colonial perspective--an interesting but narrow and trendy reading which, rather obviously, cannot compare favorably in importance or influence to Plato's--nevertheless gets 9 pages, almost as many as Plato gets.
This text is clearly aimed at students and offers short selections from 29 writers, organized chronologically but identified topically (i.e., Plato: art as imitation, Aristotle: art as cognition, etc.). Some selections (like Douglas Davis' riff on Walter Benjamin or Morris Weitz's application of Wittgenstein) are relatively novel inclusions in volumes of this sort. Others are anthology staples (like Aristotle, Hume, Kant, Schopenhauer, Hegel, Nietzsche, Heidegger and Tolstoy). If what you want is a taste of art theory, this book is a good choice. Variety is certainly its strength--not only a variety of writers, but a variety of ways of thinking about art. But if you want depth, any depth at all, you'd be much better served (and would hold on to more of your hard-earned cash) by choosing either Hofstadter's longtime standard "Philosophies of Art and Beauty" or Stephen David Ross' broader "Art and Its Significance"--both of which are less than half the price of this book.
The second edition cuts a selection from Alberti and adds selections by Kendall Walton and Pierre Bourdieu. Other inclusions not previously mentioned are by Carolyn Korsmeyer, Dele Jegede, Adrain Piper, Douglas Davis, Freud, Bell, Collingwood, Dewey, Goodman, Danto, Dickie, Beardsley, Barthes and Derrida. The third edition makes a few minor revisions (and further abbreviates the Heidegger text), cuts Jegede, Barthes, and Davis to make room for selections by Berys Gaut, Suzanne Langer, Noel Carroll, Michel Foucault, and Dom Lopes.
2 of 2 people found the following review helpful.
You will want this for your book collection.
By LAURENM
I originally purchased this book for an art course I was taking at school - I don't keep every textbook from classes, but this one is worth hanging onto. Some of the essays are a bit dry, but I thoroughly enjoyed this anthology overall. A lot of the reading is heavy and complex, so if you like the philosophies, theories and concepts of art, this would be a book to settle into.
0 of 0 people found the following review helpful.
And Another One Gone...
By Andrea L. Klena
It's a text book. However the price was far less than the ECU bookstore. Since I'm a philosophy major it was a necessity. Although my free Amazon Prime for students had expired (heads up students, check into it-it's a great deal!), shipping was cheap and fast too. The stars do not reflect the vendor, just the product itself - it's not the seller's fault that it's basically a boring text.
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